I have just returned from the third walk to art Venice. It was another fabulous trip, overloaded with art, food and wine…
I am slowly digesting the wonderful time I had – a great group of people, a few standout works of art and not to forget the Prosecco!
The 56th International Art Exhibition in Venice titled All The World’s Futures was curated by Nigerian born Okwui Enwezor and organized by La Biennale di Venezia. There were 136 artists representing 88 participant nations, as well as 44 collateral events approved by the curator, all scattered around Venice in disused palazzos.
We stood proud in front of the newly built Australian pavilion, making it the 30th national pavilion to be built in the Giardini. Denton Corker Marshall designed the new pavilion and Fiona Hall’s work captured the eyes of many.
Highlights for all of us in this year’s walk to art Venice were: the Japanese pavilion, Jaume Plensa’s work in the Basilica of San Giorgio Maggiore and The Bridges of Graffiti.
Japan’s pavilion was an exquisite installation by Chiharu Shiot (pictured above). Thousands of old keys showered down from the ceiling into tangled nets of crimson thread, some slipping through, others caught in wooden boats straight out of Hokusai. This work was simply beautiful creating and intensely meditative atmosphere.
On the island of San Giorgio we viewed Jaume Plensa‘s outstanding works (pictured above). A group of five alabaster sculptures of five teenaged girls from around the world, carved using reformed scans, were visually stunning and intimate. The luminosity of the portraits and the chosen long dark space of the Officina dell’Arte Spirituale created a reflective and emotional experience for all.
On a lighter note, The Bridges of Graffiti was a brilliantly curated exhibition by Francesca Alinovi. A great collateral event celebrating the history of graffiti with ten artists – Boris Tellegen, Doze Green, Eron, Futura, Mode2, SKKI ©, Jayone, Todd James, Teach, Zero-T. They all worked together for the very first time, bringing to life a single cohesive Hall of Fame piece within the Arterminal walls, with the site-specific works conceived especially for the exhibition.
And, on a food note, standing up and eating fresh pasta at Bigoi, ordering the brioche con marmellata at Tonolo and drinking Prosecco with all the Venetians behind the Rialto market on a Saturday night under the stars made this trip one to remember.
I am looking forward to the next Venice trip in October 2017.