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Greg Wood takes his art to an exciting country town in Victoria

artists, spaces

26 April 2016

I am a city girl, but lately I have been enjoying the peace and fresh air of the country.

Recently I visited Kyneton, in Victoria, approximately 85km from Naarm / Melbourne and an easy 1-hour drive on the freeway. My reason to visit was to support my very good friend Greg Wood and his new exhibition, "Slow Release", currently at Stockroom.

Greg Wood, who was featured on walk-to-art's blog in 2009 (Greg Wood: the second exhibition of a fabulous artist), studied Fine Arts at the University of Tasmania (UTAS) in Hobart. Wood has been exhibiting for over 20 years and is a passionate painter with a deep understanding of the Tasmanian and Victorian landscapes. His paintings ask the viewer to look beyond the literal and enter a sublime world of luminous beauty. Wood has been shortlisted in the Glover Prize and the Fleurieu Art Prize, two prestigious landscape prizes.

Greg Wood's exhibition, Slow Release, at Stockroom in Kyneton (VIC)

Greg Wood, "Park" (2015), oil on linen, 40.5cm x 43cm framed

Stockroom is an exciting rural arts hub located in Kyneton's thriving style precinct on Piper Street. Piper Street seems to be the place to be, offering great local pubs and cafes. My friend and I both agreed that we could easily move to this exciting country town.

Stockroom is an ambitious and unique space that includes a large, split level retail shop showcasing contemporary artists, makers and designers who create a range of products, including jewellery, ceramics, homewares, furniture and fashion.

It also includes two gallery spaces with a bi-monthly exhibition program. Stockroom directors Magali Gentric and Jason Waterhouse are passionate about creating a vibrant arts hub, which provides a forum for artists of all disciplines.

Greg's beautiful, elusive landscapes are on exhibition till 1 May.

"Slivers of land are represented beneath heavy skies that threaten to consume the ground below. At first glance, the works could be mistaken for abstract, but the viewer is greatly rewarded by allowing the time to let the scene unfold."